"[5], That music which he was beginning to use for Ernani was transferred to Sonnambula is not in doubt, and, as Weinstein comments, "he was as ready as most other composers of his era to reuse in a new situation musical passages created for a different, earlier one".[6]. She enters the room, walking in her sleep, all the while calling for Elvino and asking where he is. She advises him that the village is preparing a formal welcome; meanwhile she wishes to be the first to pay her respects. à 20h. Sabine Devieilhe Amina John Osborn Elvino Nicola Ulivieri Le Comte Rodolphe Jennifer Michel Lise Rachel Kelly Thérèse Ugo Rabec Alexis. Outlook; Google; Yahoo! come lieto è il popolo / "How happy all the people are, accompanying us to the church"; then together.) During Bellini's lifetime another sfogato, Maria Malibran, was to become a notable exponent of the role of Amina. Weinstein's account of performances given charts those in the 20th century beginning from 1905. Annulé – LA SOMNAMBULE – VIVA L’OPÉRA ! Period: Romantic: Piece Style Romantic: Instrumentation voices, chorus, orchestra Un couple et une distribution qui pourra compter sur l’expérience de Rolando Villazón qui signe sa première mise en scène à Paris. Not being superstitious, he assures them that they will soon be free of the apparition. non credea mirarti / sì presto estinto, o fiore / "I had not thought I would see you, dear flowers, perished so soon".) Elvino then exclaims that there will be no wedding, and each expresses his or her emotional reaction to this discovery. Téléphone. La Somnambule. Lœuvre est créée avec un énorme succès à Rome en 1831. ), The sound of horses' hooves and a cracking whip is heard. Cinq questions à Nicola Ulivieri. Nous l’avons compris, le thème central de l’œuvre tournera autour du somnambulisme, thème en vogue auprès des auteurs romantiques, tout comme la folie et ses nombreuses représentations dans les opéras italiens de l’époque. Administration. L’ultime chef-d’œuvre de Bellini doit sa notoriété à ses rôles principaux parmi les plus exigeants du répertoire belcantiste. As they exchange vows, the notary asks what she brings to the partnership: "Only my heart" she answers at which Elvino's exclaims: "Ah the heart is everything!". She is consumed with jealousy for she had once been betrothed to Elvino and had been abandoned by him in favour of Amina. 01/11/2020 16:00 - 19:00. Only Teresa believes in her innocence: Ensemble finale, first Amina D'un pensiero e d'un accento / "In my thought or in my words never , never have I sinned"; then Elvino: Voglia il cielo che il duol ch'io sento / "Heaven keep you from feeling ever the pain that I feel now! In an aria finale, Amina expresses her joy: Ah! With its pastoral setting and story, La sonnambula was an immediate success and is still regularly performed. Decca. Its success was partly due to the differences between Romani's earlier libretti and this one, as well as "the accumulation of operatic experience which both [Bellini] and Romani had brought to its creation. Sur une musique d' Hérold (alors chef de chant à l'opéra), le ballet-pantomime La somnambule ou l'arrivée d'un nouveau seigneur est créé le 18 septembre 1827 à la salle Le Peletier. La Somnambule, créée quelques mois avant Norma, connut un succès considérable durant tout le XIXe siècle. Lisa enters and points to Amina, who wakes up at the noise. All assembled proclaim the beauty of Amina: In Elvezia non v'ha rosa / fresca e cara al par d'Amina / "In Switzerland there is no flower sweeter, dearer than Amina". Voir toutes les productions Voir le calendrier Actualités liées. Visitez leur site Web. That Pasta owned a house near Como and would be staying there over the summer was the reason that Felice Romani traveled to meet both her and Bellini. La grande Giuditta Pasta et le célèbre Giovanni Rubini se partagent les premiers rôles. Mais l’opéra, c’est d’abord du théâtre, chanté. Cette collaboration permet à Scribe de lancer sa carrière à l'opéra au cours de laquelle il écrira les livrets de 8 ballets et de 30 opéras. La Somnambule (La Sonnambula) est l’œuvre qui apporta une résonance européenne au nom de Bellini. Elvino demands proof and Rodolfo, seeing the sleeping Amina walking across the high, dangerously unstable mill bridge, warns that to wake her would be fatal. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. after La somnambule, ou L'arrivée d'un nouveau seigneur by Eugène Scribe (1791–1861) and Jean Aumer (1774–1833) Language Italian Composer Time Period Comp. La somnambule Avant-scène opéra (L'). Lisa points out that it is getting late and he will not reach it before dark and she offers him lodging at her inn. La sonnambula ( La Somnambule en français), avec sa conclusion heureuse, est … It was not until the summer, when he went to stay near Lake Como, that the pressure to decide upon a subject for the following winter's opera became more urgent. He sees the approaching phantom who he recognises as Amina. But then he is struck by her obvious innocence and refrains: (Scene: first Rodolfo: O ciel! Lisa enters Rodolfo's room to see if all is well. Début 1831, Bellini arrête son choix sur un sujet tiré d’un ballet présenté trois ans auparavant à l’Opéra de Paris : La Somnambule dont le synopsis est écrit par un certain Scribe. It has been given in three productions with Natalie Dessay, the first at the Santa Fe Opera in 2004, secondly in Paris during the 2006/07 season, and thirdly at the Metropolitan Opera in 2009, a production which was revived in Spring 2014 with Diana Damrau singing the role of Amina. Opéra chanté en italien, surtitré en français et en anglais. La sonnambula. Artistik Rezo 29 décembre 2009. When Teresa explains that his son had vanished some years previously, the stranger assures them that he is alive and will return. She is flattered when he begins a flirtation with her, but runs out at the sound of people approaching, dropping her handkerchief which the Count picks up. [10] Herbert Weinstock provides a comprehensive year-by-year listing of performances following the premiere and then, with some gaps, all the way up to 1900.[11]. [1] Writing to his uncle in Sicily, the composer reported that "I shall earn almost twice as much as if I had composed [only for the Venetian impresario]".[2]. Op. Email. Fantaisie pour le violon avec accompagnement des piano par J.-B. Concert en italien, surtitré en français. For other uses, see, Bellini to Vincenzo Ferlito [his uncle], April 1830, in, Bellini to Vincenzo Ferlito [his uncle], late May/early June 1830, in, Bellini to his Venetian friend Giovanni Battista Peruchinni, 3 January 1831, in, La somnambule, ou L'arrivée d'un nouveau seigneur, "Vincenzo Bellini": Outline of his life (in English) and list of critical editions of his works published by Ricordi, International Music Score Library Project, Cast, synopsis (Italian, English, German), libretto (Italian, German), https://en.wikipedia.org/w/index.php?title=La_sonnambula&oldid=1012933594, Articles with dead external links from March 2021, Articles containing Italian-language text, Articles with unsourced statements from September 2014, Articles with French-language sources (fr), Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. She reveals that his identity is known to all as Rodolfo, the long-lost son of the count. They then see Elvino coming in the wood looking downcast and sad. Interview réalisée par Stéphane Lelièvre Retransmission en direct le jeudi 19 mars, sur la plateforme de France TV à 20h00 Later, it was a vehicle for showcasing Jenny Lind, Emma Albani and—in the early 20th century—for Lina Pagliughi and Toti Dal Monte. n° 178 de Vincenzo Bellini chez Avant-scène Opéra. This article is about the Bellini opera. Réservation possible également au 01 40 13 84 65 pour les places non disponibles en ligne et/ou pour les choisir. La Somnambule Bellini le 31/01/2010 Opéra national de Paris, Opéra Bastille par Chantal Cazaux. A production was mounted by The Royal Opera in London in 2011, by the Salzburger Landestheater in Salzburg 2015,[13] and by the Staatstheater am Gärtnerplatz in Munich in 2015/2016. Perché non posso odiarti, infedel, com'io vorrei! Son personnage principal Amina est l'un des plus attachants de l'univers bellinien. La Somnambule, opéra de Bellini. Elvino is jealous of the stranger's admiration of Amina; he is jealous even of the breezes that caress her, but he promises her he will reform. – JEUDI 19 NOVEMBRE 2020 – UGC TALENCE – TALENCE (33) UGC Talence. Accès en salle uniquement sur présentation du billet électronique que vous recevrez par email. / "How brightly this day dawned for me".) Amina and Teresa arrive and are on a similar mission, but Amina is despondent, although Teresa encourages her daughter to continue. Orchestre de chambre de Paris Chœur Les Cris de Paris direction Geoffroy Jourdain. La sonnambula (The Sleepwalker) is an opera semiseria in two acts, with music in the bel canto tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ballet-pantomime written by Eugène Scribe and choreographed by Jean-Pierre Aumer called La somnambule, ou L'arrivée d'un nouveau seigneur. Bellini a exploré ici toutes les possibilités musicales susceptibles de traduire les états d’âme complexes de son héroïne, victime innocente d’un mal inconnu. La Somnambule (La Sonnambula) est l’œuvre qui apporta une résonance européenne au nom de Bellini. With both men having various other commitments, by the end of November 1830 nothing had been achieved in the way of writing either the libretto or the score of Ernani[4] but, by January, the situation and the subject had changed. Learning of the impending marriage, Teresa confronts Lisa, who says that she has never been found alone in a man's room. Teresa produces the handkerchief Lisa had dropped. Lieu. che tento / "God! (Aria: Come per me sereno / oggi rinacque il di! Printed price: two shillings--title page; "Argument"--p. iii-iv; "Guide to the most prominent pieces in this opera"--p. 5; advertisements--p. [1] at end. Libretto in Italian and English on facing pages. All rejoice. Huit ans plus tard, Scribe tire de son texte un livret, remanié sous le titre La Somnambule, ou l'Arrivée d'un nouveau seigneur, pour un ballet de Jean-Pierre Aumer créé le 19 septembre 1827 à l'Opéra de Paris.. Pour égayer cet opéra, saluons la magnifique interprétation de la rivale d’Amina, Marie-Adeline Henry, drôle et superbe, créant par la hardiesse et la méchanceté du personnage une tension intérieure au drame. Cinq ans plus tard, forte d’un parcours fulgurant qui l’a vu interpréter Lakmé, la Reine de la nuit ou récemment Ismène dans Mithridate, auréolée de deux Victoires de la musique, la jeune soprano revient à son rôle d’Amina pour le Théâtre des Champs-Elysées. iCal; Opéra en … When he says that he knows the inn, all are surprised. La Somnambule, créée quelques mois avant Norma, connut un succès considérable durant tout le XIXe siècle. Cette collaboration permet à Scribe de lancer sa carrière à l'opéra au cours de laquelle il écrira les livrets de 8 ballets et de 30 opéras. La Caisse des Dépôts soutient l'ensemble de la programmation du Théâtre des Champs-Elysées, Rachel Willis-Sørensen, Karine Deshayes, Erwin Schrott. She is delighted. La musique de Bellini est très belle, on peut écouter cette œuvre sans la voir, il en existe de bons enregistrements CD. Melodramma in due atti Libretto di Felice Romani tratto dal "ballet-pantomime" di Eugène Scribe e Pierre Aumer intitolato La Somnambule ou L'arrivée d'un nouveau seigneur, rappresentato (con musica di L.J.F. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. La Somnambule est l’une des plus belles pages lyriques du romantisme italien. He continues to reject Amina, even when the townspeople come in with the news that the count says that she is innocent. La Somnambule de Bellini mise en scène par Rolando Villazón avec Nadine Sierra et Francesco Demuro. All watch as she relives her betrothal and her grief at Elvino's rejection, taking the withered flowers in her hand. Places : 5 à 110 €. Opéra Bastille – La somnambule, Bellini. Du léger vaudeville de Scribe, Felice Romani tire ensuite le livret d'un opéra dramatique pour Vincenzo Bellini, La sonnambula, créé à Milan le 6 mars 1831. La Somnambule. La Somnambule (La sonnambula) Opéra Bastille Place de la Bastille 75012 Paris. C’est donc à Amina que sont destinés les grands arias amples et colorés, exigeant de son interprète des qualités particulières : aigus cristallins et lumineux, souffle long et souple sans oublier beaucoup d’agilité dans les vocalises. I alone am miserable". : 01 49 52 50 50. (Rodolfo's aria: Vi ravviso, o luoghi ameni, / in cui lieti, in cui sereni / "O lovely scenes, again I see you, / where in serenity I spent the calm and happy days of my earliest youth".) Le thème du somnambulisme fascinait en effet l’époque romantique avide de phénomènes mystérieux. "[8] Press reactions were universally positive, as was that of the Russian composer, Mikhail Glinka, who attended and wrote overwhelmingly enthusiastically: After its premiere, the opera was performed in London on 28 July 1831 at the King’s Theatre and in New York on 13 November 1835 at the Park Theatre. [11] The opera was rescued from the ornamental excesses and misrepresentations more similar to the baroque style than the bel canto of Bellini when it was sung by Maria Callas[citation needed] in the now-famous 1955 production by Luchino Visconti at La Scala. La sonnambula (The Sleepwalker) is an opera semiseria in two acts, with music in the bel canto tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ballet-pantomime written by Eugène Scribe and choreographed by Jean-Pierre Aumer called La somnambule, ou L'arrivée d'un nouveau seigneur. Une lignée de chanteuses prestigieuses y a brillé depuis la créatrice du rôle, de Giuditta Pasta jusqu’à la Malibran et Callas et plus près de nous Natalie Dessay. changement d’horaire la somnambule et le freischÜtz En raison des nouvelles mesures gouvernementales annoncées le 14 octobre 2020 et pour assurer le maintien des deux prochaines œuvres Viva l’Opéra !, les séances des opéras La Somnambule (jeudis 5 et 19/11) et Le Freischütz (à ce jour seule la séance du jeudi 26/11 est concernée) auront exceptionnellement lieu à 17h30. Première à l’Opéra de Monte-Carlo, le 22 février 1887 Dernière à l’Opéra de Monte-Carlo, le 20 mars 1948 Opéra en deux actes Musique de Vincenzo Bellini (1801 – 1835) Livret de Felice Romani Création : Milan, Teatro Carcano, 6 mars 1831 Version de concert Le thème du somnambulisme fascinait en effet l’époque romantique avide de phénomènes mystérieux. Returning to Milan after the I Capuleti e i Montecchi performances in March 1830, little occurred until the latter part of April when Bellini was able to negotiate a contracts with both the Milan house for the autumn of 1831 and another for the 1832 Carnival season at La Fenice in Venice; these operas were to become Norma for La Scala and Beatrice di Tenda for Venice. However, there was also a contract for a second Milan house for the following winter season for as-yet an unnamed opera, but it had already been agreed that Giuditta Pasta, who had achieved success in Milan in 1829 and 1830 appearing in several major operas, would be the principal artist. Le personnage d’Amina, la Somnambule, est un des plus attachants de l’univers bellinien : c’est pour une fois le contraire d’une femme déchirée et, même si la folie n’est pas loin, c’est une folie douce, toute en demi-teinte, où le rêve croise la réalité. "; then the people and Teresa, the former proclaiming her treachery, Teresa pleading for her to be allowed to explain. Singelée. Au programme aujourd'hui un Opéra de Vincenzo BELLINI "La somnembule". The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. Paru le 01/10/1998. The title role of Amina (the sleepwalker) with its high tessitura is renowned for its difficulty, requiring a complete command of trills and florid technique,[7] but it fitted Pasta's vocal capabilities, her soprano also having been described as a soprano sfogato, one which designates a contralto who is capable—by sheer industry or natural talent—of extending her upper range and being able to encompass the coloratura soprano tessitura. La Somnambule, Opéra de V. Bellini Les choses ont tendance à mal tourner pour les personnages de la plupart des opéras écrits par Vincenzo Bellini : la mort n’est presque jamais loin. AMINA SE PROMÈNE EN DORMANT ET FAIT PEUR À TOUT LE VILLAGE QUI LA PREND POUR UN FANTÔME QUAND, SOMNAMBULE, ELLE ERRE DANS LA NUIT.